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Wednesday, 8 May 2013

Salwar Designs for Men Women Girls 2013 Pakistani

Salwar Biography

Source (google.com.pk)
A Patiala salwar (also called a pattian walee salwar) (Its also pronounced as Shalwar in Urdu) is a type of female trousers which has its roots in Patiala City in the Northern region of Punjab state in India. The King of Patiala in earlier times had its Royal dress as Patiala Salwar. The Patiala Salwar has a close resemblance to the pathani Suit which has similar loose lowers as salwars and long knee length top known as Kameez. Over the decade the dress now is not worn by men but has classically transformed itself with new cuts and styling into women's Patiala Salwar.The reason why the patiala dress is preferred by most of the women of punjab and other regions of Northern India is its comfortability and durability in summers. Since the patiala salwar is very loose and stitched with pleats its a very comfortable outfit to wear. Its distinguishing characteristic is folds of cloth stitched together that meet at the bottom. Patiala salwars require double the length of material to get stitched. The fall of the pleats of the Patiala Salwar is such that it gives a beautiful draping effect.
Patiala salwar with lots of pleats is also referred to as Patiala "Shahi" salwar since it was worn by the shahi (royal) people of Patiala city in state of Punjab.In popular cultureIn Bunty Aur Babli (2005), a new look to Patiala salwars and kurtis, were worn by film's lead Rani Mukherjee, designed by Aki Narula. Actress Kareena Kapoor was also responsible for a new look in the film Jab We Met wearing a patiala shalwar & a short shirt.There are more than 80 recorded ways to wear a sari. Fashion designer Shaina NC declared,"I can drape a sari in 54 different styles"The most common style is for the sari to be wrapped around the waist, with the loose end of the drape to be worn over the shoulder, baring the midriff.However, the sari can be draped in several different styles, though some styles do require a sari of a particular length or form. The French cultural anthropologist and sari researcher Chantal Boulanger categorised sari drapes in the following families:Nivi – styles originally worn in Andhra Pradesh; besides the modern nivi, there is also the kaccha nivi, where the pleats are passed through the legs and tucked into the waist at the back. This allows free movement while covering the legs.Bengali and Oriya style.Gujarati/Rajasthani – after tucking in the pleats similar to the nivi style, the loose end is taken from the back, draped across the right shoulder, and pulled across to be secured in the back .Maharashtrian/Konkani/Kashta; this drape is very similar to that of the male Maharashtrian dhoti. The center of the sari (held lengthwise) is placed at the center back, the ends are brought forward and tied securely, then the two ends are wrapped around the legs. When worn as a sari, an extra-long cloth of nine yards is used and the ends are then passed up over the shoulders and the upper body. They are primarily worn by Brahmin women of Maharashtra, Karnataka, Andhra Pradesh and Goa.Dravidian – sari drapes worn in Tamil Nadu; many feature a pinkosu, or pleated rosette, at the waist.Madisar – this drape is typical of Iyengar/Iyer Brahmin ladies from Tamil Nadu.Kodagu style – this drape is confined to ladies hailing from the Kodagu district of Karnataka. In this style, the pleats are created in the rear, instead of the front. The loose end of the sari is draped back-to-front over the right shoulder, and is pinned to the rest of the sari.Gobbe Seere – This style is worn by women in the Malnad or Sahyadri and central region of Karnataka. It is worn with 18 molas saree with three four rounds at the waist and a knot after crisscrossing over shoulders.